Where Dance is the Conversation

 

TO US LIVE SATURDAYS 2-3PM ON CIUT 89.5FM (http://ciut.fm/index.php/about/listen-live/)!!!

You can search and listen to the podcasts of our shows since May 3rd 2009 on our website at www.evidanceradio.com. Listeners inside and outside Toronto, including the U.K. and Montreal, like the show so much they have become regular listeners and CIUT members.
 
We will continue to present our Local, National and International Dance Performance Coverage for those interested in dance. As always, we are tackling a wide variety of topics, including upcoming dance productions in Toronto, the creation process, the local social dance scene, multicultural dance, dance health and fitness, dance funding, dance history, and more. Some productions offer ticket giveaways during the live broadcasts.
 
Dancers on recent shows have talked about their dance careers since relocating to places as diverse as Vancouver, Calgary, Saskatoon, Sudbury, Niagara Falls, St. John's, and outside Canada, to the U.S. and Europe, since they graduated from dance schools in Toronto. Dancers like Evi-Dance podcasts for keeping them up to date with what is happening in Toronto.
 
Remember, on Evi-Dance, Dance Is The Conversationwww.evidanceradio.com.

CIUT 89.5fm     www.ciut.fm

Thanks to all those without whom Evi-Dance would not have been possible over the years. (Apologies to anyone left out. Please contact evidance@ciut.fm if this is so):Megan Andrews, Jesse Dell, Liisa Murray, Malgorzata Nowacka, Kate Nankervis, Sara Porter, Alan Page, Kathleen Rea, Aimee Dawn Robinson, Elizabeth Dawn Snell, Samara Thompson and Jason Vanstone

 

Podcast Button

Podcast

You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

Hosts: Ted Fox, Andrya Duff and Roshanak Jaberi

Lawrence Cherney, Artistic Director of Sound Streams, on their choral opera presentation of Sealed Angel taking place Feb 2 & 3 8pm at Koerner Hall in the TELUS Centre For Performance and Learning, 273 Bloor Street West.  Performed by dancers from ProArte Danza, Elmer Isler Singers and Amadeus choir.  www.soundstreams.ca  www.rcmusic.ca
 
Denise Fujiwara, Artistic Director of CanAsian Dance Festival, on Kick Start, 6 choreographers pushing boundaries, taking place Feb 9-11 2012 8pm, Winchester Street Theatre, 80 Winchester Street, Toronto  www.canasiandancefestival.com
 
Dancer Rachael McLaren from Alvin Ailey American Dance Theatre on Revelations, two different programs taking place Feb 2-4 8pm & Feb 4 2pm at Sony Centre For The Performing Arts, 1 Front Street East.  McClaren began her dance training at Royal Winnipeg Ballet School, joined the Toronto cast of Mamma Mia and studied at The Ailey School as a scholarship student. www.sonycentre.ca www.alvinailey.org

Check out our Reviews!

check out our reviews

ab intra in the Toronto Fringe Festival 2011

 

ab intra

Choreography/Dancers: Kate Nankervis, Amanda Acorn, Elke Schroeder
Toronto Fringe Theatre Festival
Tarragon Theatre Mainspace

REVIEWED BY TED FOX FOR EVIDANCERADIO.COM

The Bonne Compagnie's production of ab intra is gripping, dream-like and at times humorous, with exciting movement vocabulary.

In three solos, women react and come to terms with the memories housed within their bodies. Since they are in the same room, and all have sometimes similar reactions, one wonders if the room is feeding memories of each to each other.

The room has a desk, a lamp and a table. The lamp is the main light source, leaving the room enclosed within darkness. 

One woman (Kate Nankervis) launches paper airplanes, lies corpse-like on the desk under the lamp's surgical light, listens to the wall or moves and gestures robotically. Another (Amanda Acorn) slithers snake-like across the floor, pulls and stretches trying to straighten up and regain balance, only to be flattened. The last woman (Elke Schroeder) has the twisted grotesque feral movements of one possessed. Splayed on the floor, she grips the back of her head with her hand, as if trying to put it back on.

All go through a sort of release mentally and physically that is transforming and liberating.

The soundscapes by Linedrawing, Christopher Wiles and J-P Tamblyn utilize textures of sound waves, underwater sonar, radio static, muffled voices, even Elvis Presley and a bit of ragtime. These sounds suggest waves of memories caught in a suspension of time.


 

 

Syndicate content

Login